It’s all over and I’m standin’ pretty.

the passage

 

I enjoy post apocalypse fiction. There is something about the society and all its excesses breaking down and mankind being stripped to its bare essentials that appeals to me as a literary trope. The means in which the world ends is simply a MacGuffin, the device that propels the story forward and tells us what happens to mankind when it has to focus solely on survival. The Passage is similar in that regard, though the concept of a viral vampire apocalypse is intriguing. In the end it’s the story of what mankind is when boiled down to its essence.

As with most apocalypse stories, the government is the catalyst. After finding a vampire-like virus carried by Bolivian bats that can greatly extend life, the U.S. Government uses death row inmates as guinea pigs for a top secret military operation known as Project Noah. Things to horribly wrong as they must for this story to continue. A young girl named Amy Harper Bellafonte, who has also been infected with the virus escapes with an FBI agent and lives through the end of the world, also outliving her savior. The story then jumps forward approximately 93 years to a small outpost in California which has been cut off from the rest of the country for decades and encounters Amy by chance. Though they don’t realize it, Amy holds the key to ending the plague that has destroyed most of humanity.

Though this book hit many of the same plot points followed by books like The Stand and Swan Song, it still surprised me in quite a few places. At over 700 pages the book is long but rarely drags. No character is unimportant to the plot. The book ties up many loose ends in the conclusion but still leaves a nice cliffhanger for its sequel.

Advertisements

“You left me alone but you’re still my own.”

pretty girls

 

The key to a good suspense/mystery novel is similar to that of a good horror film. The characters reactions to things have to be realistic and make sense. That doesn’t mean they have to necessarily be smart or follow basic common sense. It means they have to make sense given what we know about the character’s past experiences and personality. That way, when everything goes pear shaped, it feels like these things are being experienced by a real human and not merely a vessel to move the story forward. Pretty Girls hits the nail on the head. I hate to use a cliched term like “non-stop thrill ride,” but reading this book was a lot like riding a roller coaster. I found myself having to take a breather from this book every once in awhile because it got too intense.

Lydia and Claire are two sisters who have not spoken in twenty years. Their relationship slowly deteriorated after their sister Julia disappeared without a trace from her college campus one night. The incident destroyed their once happy family. As the book begins, Claire’s husband is killed in what appears to be a botched mugging. This sets in motion a series of events that throw the two sisters back together as are drawn deeper into the mystery, not only of her husband’s death but of their missing sister.

Aside from being a hell of a good mystery, this book depicts the emotional toll taken on a family when a child goes missing. It packed an emotional wallop throughout. I will give a warning for extremely graphic depictions of murder and rape. It’s rough material but given the themes of the book I don’t think it’s extraneous.